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Chapter 3: The Page That Changed the Room

The auditor's name was Phillip Marsh.

He had been in financial forensics for twenty-two years, and in that time he had learned to read a room by watching hands.

Right now, Grant's hands were flat on the table, pressing down, as if the floor beneath him had shifted.

"Mr.

Grant," Phillip said again.

"The withdrawals."

Grant straightened.

"Those are operational expenses.

Every one of them is documented."

"They are documented," Phillip agreed.

He turned the page so the investors could see the columns.

"Documented as construction materials.

Roofing.

Electrical.

Plumbing.

Except the hotel's construction was completed fourteen months ago and signed off by three independent inspectors." He paused.

"So I'd like to understand what was still being built."

One of the board members, a heavyset man named Carver, leaned forward.

"How much are we talking about?"

"In total?" Phillip set the folder on the table.

"Two point three million dollars.

Moved in increments small enough to avoid automatic review flags.

Over eight months."

The room didn't erupt.

It went quieter.

That was worse.

Carver looked at Grant.

"That money came from the construction reserve."

"Which was funded by this table," another investor said.

He didn't raise his voice.

He didn't need to.

Grant's jaw tightened.

"I want my attorney present before this conversation goes any further."

"You're welcome to call him," Sloane said.

She hadn't moved from where she was standing.

"But the account is already frozen, the audit is already running, and every person in this room just heard your auditor confirm the withdrawals.

Calling your attorney doesn't change what's on that page."

Bianca stepped forward.

Her voice had lost its earlier brightness.

"This is a setup.

She planned this — she knew we were going to announce the transfer today and she staged all of this to humiliate us in front of the press."

Sloane looked at her for the first time since walking in.

"Bianca," she said.

"You're holding the keys to my office.

You're standing under a ribbon you cut with scissors that had my name on them.

And you're telling these men that I'm the one doing the humiliating."

A reporter near the back laughed once, short and involuntary.

He pressed his lips together.

Bianca's face went rigid.

"The transfer contract," Carver said.

He was still looking at Grant.

"Walk me through it.

When was it drafted?"

"Six weeks ago."

"And Mrs.

Sloane's signature—"

"She signed it." Grant's voice was firm now, controlled.

He had found something to hold onto.

"She signed it in our home office on a Tuesday evening.

I have a witness."

Sloane's lawyer, a compact woman named Dana Reeves, spoke for the first time since confirming the signature.

"We'd be very interested in that witness.

Please have them available.

Because our handwriting analyst has already submitted a preliminary report, and it will be part of the formal filing we're making with the county recorder's office this afternoon."

Grant looked at Dana.

Then at Sloane.

Something moved behind his eyes — not guilt, not yet.

Calculation.

"You think you've won something today," he said quietly.

"You haven't.

You've made a scene at your own hotel and scared your investors.

That's all you've done."

"The investors," Carver said flatly, "are right here.

And we're not scared.

We're angry." He pushed back from the table and stood.

"I'd like a copy of that audit report, Mr.

Marsh.

And I'd like it before I leave this building."

"I'll have it printed within the hour," Phillip said.

Grant watched Carver stand.

He watched the second investor reach for his phone.

He watched the third one turn to speak quietly to the fourth.

He had not expected Carver to stand up first.

His hands came off the table.

Bianca touched his arm.

He didn't look at her.

"Grant," she said, low.

"Say something."

He said nothing.

Sloane picked up her wedding ring from the contract where she had placed it.

She held it for a moment.

Then she set it back down.

She didn't need it anymore.

But she wanted him to see her leave it there.

"Dana," she said.

"Let's get the reporters into the main hall.

I have a statement to make."

She walked toward the doors without looking back.

May you like

Behind her, she heard Bianca say: "She can't do this."

And she heard Carver answer: "She already did."

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