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Chapter 9: Woman to Woman

The coffee shop was small and warm, the kind of place that smelled like dark roast and old wood.

A chalkboard menu.

Four tables.

A window seat looking out over the grey water.

Diane Marsh was at the window seat.

She looked nothing like Maya had imagined.

Fifty-three, maybe fifty-five.

Dark coat, as in the photograph.

Hair cut short and practical.

Hands wrapped around a mug she hadn't drunk from.

She was watching the street with the particular stillness of someone who had been watching streets for a long time.

Maya walked in alone.

No earpiece.

No wire.

Mason was in the SUV two blocks away.

She ordered a coffee at the counter, carried it to the window seat, and sat down across from Diane without asking permission.

Diane looked at her.

"This seat is taken."

"I know," Maya said.

"I'm not here by accident."

Diane's hands tightened on the mug.

Her eyes moved to the door.

"I'm alone," Maya said.

"I'm not with Carver.

I'm not a threat to you." She paused.

"My name is Maya Bennett.

I work at a café in Seattle.

Three days ago I had never heard of Mason Reed, Victor Hale, Gerald Fitch, or you.

Then a man I barely knew came to my cousin's wedding and my life got significantly more complicated."

Diane looked at her for a long moment.

"Reed sent you."

"Yes."

"Then I'm leaving." She started to stand.

"The note you received was written by the leak," Maya said.

"The person who told Carver about the Tacoma address in the first place."

Diane stopped.

"His name is Carver's man inside Reed's security team," Maya continued.

"His goal wasn't to protect you.

His goal was to push you out of the safe house and into the open, where Carver's people could find you without Reed's protection around you." She held Diane's gaze.

"You're not safer out here.

You're exactly where they wanted you to be."

Diane sat back down slowly.

"How do I know you're telling the truth?" she said.

"You don't.

Not for certain." Maya wrapped both hands around her coffee cup.

"But you've been sitting in this window for over an hour and you haven't moved, which tells me you're not sure where to go next.

And you left your phone behind, which tells me you're smart enough to know you can be tracked but not quite ready to disappear entirely." She paused.

"You're waiting for something to tell you what to do."

Diane was quiet.

"The federal prosecutor in Seattle received six photographs this morning," Maya said.

"Entries from Gerald Fitch's ledger.

March fourth, March nineteenth, April second.

Coastal logistics account."

Something moved across Diane's face — recognition, and then something that looked almost like relief.

"Those were the three I couldn't get," she said quietly.

"I knew they existed.

I looked for them for months before I walked out."

"They exist.

The prosecutor has them now."

Diane set her mug down.

"If those entries show what I think they show—"

"They close the gap in the case," Maya said.

"The port official who's been claiming no financial relationship with Carver — his name is in those entries.

Directly."

Diane closed her eyes for a moment.

When she opened them, they were steady.

"Reed got those photographs."

"Yes."

"How?"

Maya looked at her.

"Does it matter?"

A pause.

Then, almost: a smile.

"No," Diane said.

"I suppose it doesn't."

"Mason wants to move you," Maya said.

"New location.

Different city.

The Tacoma address is burned — Carver knows it.

But the leak has been identified.

It won't happen again."

"Who was it?"

"A man named Garrett.

He's been with Reed's security team for two years.

Carver placed him there."

Diane absorbed that.

"How did Reed find out?"

"The text message this morning — the one that said you weren't where he'd left you.

Garrett sent it.

He thought he was being clever — warning Reed just enough to seem loyal while Carver's people moved into position." Maya paused.

"Mason noticed the phrasing.

*She's not where you left her.* Only two people knew exactly where he'd left you.

And only one of them would have known to phrase it that way."

Diane looked out the window at the grey water.

A ferry was moving slowly across the harbor, unhurried, indifferent to everything happening on shore.

"I've been running for two years," she said.

Not a complaint.

Just a fact.

"I know."

"I thought walking into that federal building would be the end of it.

Hand over the records, give the testimony, start over somewhere." She turned back to Maya.

"Nobody tells you that the starting over part takes longer than the rest."

Maya didn't say anything.

She let the silence sit.

"The new location," Diane said finally.

"Is it safe?"

"Mason says yes."

"And you?

Do you believe him?"

Maya thought about the envelope.

The coffee at her kitchen table.

The way he had said *both* when she asked if he'd come to the wedding to protect her.

The way he had said *thank you* outside Fitch's building like it cost him something.

"Yes," she said.

"I believe him."

Diane looked at her for a long moment.

Then she reached down, picked up her rolling suitcase, and stood.

"All right," she said.

"Let's go."

They walked out together into the grey Portland morning.

Two blocks down, the middle SUV was idling at the curb.

Maya opened the door.

Mason looked at Diane.

Diane looked at Mason.

"You found the ledger entries," Diane said.

"Yes."

"And Garrett?"

"Being dealt with."

"What does that mean?"

"It means he won't be a problem," Mason said.

"And it means the federal prosecutor will be receiving a supplementary file about his activities within the hour."

Diane nodded once.

She got in the car.

Maya got in beside her.

The door closed.

The convoy began to move.

In the front seat, Rourke's phone buzzed.

He answered it, listened, and said two words.

"It's done."

Maya glanced at Mason.

He was looking straight ahead, and for just a moment — one brief, unguarded moment — something in his face that had been held very tightly for a very long time seemed to loosen by a fraction.

She looked away before he noticed her watching.

Outside the window, Portland moved past.

The water.

The bridges.

The ordinary city going about its ordinary day.

Her phone buzzed.

A text from her mother.

*It was so lovely to meet Mason yesterday.

Invite him to Christmas.*

Maya stared at it for a moment.

Then, despite everything — the ledger, the envelope, the leak, the two-hour drive, the woman with the rolling suitcase sitting next to her — she laughed.

A short, helpless, genuine laugh.

Mason looked at her.

"My mother," she said, "wants to invite you to Christmas."

He looked at her for a moment.

Then, quietly, he said: "Tell her I'll think about it."

May you like

It was the closest thing to warmth she had ever heard from him.

It was enough to make her wonder, for the first time, what happened after twenty-four hours.

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